You don’t have that abrupt end to your on-premises workload followed by your cloud workload. Because if you’re rendering in the cloud, placing your data next to where you’re rendering really helps streamline that process. So over the years we’ve started to see the push for virtual desktops.
âCustomers were having difficulty moving massive amounts of data to the cloud, organizing and organizing things before they could return them. ÂWe’ve been wanting to help customers with these heavy M&E workloads for years,â says Kyle Roche, head of immersive technology at AWS. rendering is maximum, and reduce them once the projects are completed. With no upfront fees or commitments, Amazon Nimble Studio allows customers to set up a content production studio – using only the resources initially needed – in hours instead of weeks, then ramp up resources when demanded.
âNimble was born on AWS, so it was the perfect house for us! âįast forward to April 28, 2021, when AWS announced the general availability of Amazon Nimble Studio, an pay-per-view production service offering unlimited access to high-power accelerated workstations, high-speed storage, and on-demand rendering resources across Amazon’s global infrastructure. âWe found our visions in helping M&E companies move their workloads to the cloud to be highly aligned,â co-founder Grignon said of the acquisition. The next step came less than a year later, in May 2019, when Nimble Collective was acquired by Amazon. Four years later, they launched Nimble Studio, the industry’s first end-to-end cloud platform for commercial studios and business animation production. In 2014, along with fellow DreamWorks alumni Jason Schleifer, Bruce Wilson and Scott LaFleur, and with the support of a number of venture capitalists, Grignon founded the Nimble Collective.
Amazon nimble studio software#
Among those who first saw the potential of cloud-based animation platforms to cut costs and streamline production was Rex Grignon.Ī longtime luminary at DreamWorks Animation, Grignon has worked as a character animation manager on films such as Antz, Shrek, and Madagascar and its sequels, and was the lead designer of animation software Premo, which won a Technical Excellence Award from the Academy of Motion Picture Arts and Sciences. Even before the COVID-19 pandemic forced much of the media and entertainment industry to adapt to non-local ways of working, the benefits of remote production were increasingly recognized and innovative pipeline designs were gaining ground across the industry.
0 kommentar(er)
